on being 26
posted by
imani
, Monday, June 29, 2009 at 4:47 AM, in
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freefall
secondly - i know that life is going to be very interesting and exciting. if it doesn't...then i will make sure it gets interesting and exciting.
this afternoon, i got my 7th tattoo. hello pain...and itch :)
coming and going
posted by
imani
, Thursday, June 25, 2009 at 8:52 PM, in
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something else
je t'aime
posted by
imani
, at 8:46 PM, in
Labels:
something else
You shall above all things
you shall above all things be glad and young
For if you're young, whatever life you wear
it will become you; and if you are glad
whatever's living will yourself become.
Girlboys may nothing more than boygirls need:
i can entirely her only love
whose any mystery makes every man's
flesh put space on; and his mind take off time
that you should ever think, may god forbid
and (in his mercy) your true lover spare:
for that way knowledge lies, the foetal grave
called progress, and negation's dead undoom.
I'd rather learn from one bird how to sing
than teach ten thousand stars how not to dance
e.e. cummings
surprises
posted by
imani
, at 8:37 PM, in
Labels:
freefall
- my friend reich gave me another notebook - she specifically mentioned that it's meant for my poems. thank you, sweetie, for your ceaseless encouragement.
- last sunday i attended botchok's PTA meeting. wow. i am just in awe.
- this is not a good thing though: botchok's pet, fishy, met its untimely demise. reason? murky waters, i suppose. i was flabbergasted to see the teeny tiny aquarium we got him sitting in the corner of our kitchen. huhuhu.
- the next entry is insane: earlier, i had to scour the entire office for tissue paper. i finally found some on the third floor. then i discovered something even weirder: one of the cubicles do not have a door. so would you rather not have tissue paper or not have a door while you pee?! wahaha.
- reich sent me an e.e. cummings poem for my birthday. two birthday gifts. :)
- i re-read some of my journals yesterday and i am thankful for all the years you've been in my life.
- wonders and miracles come in a lot of different forms. and i am excited see all the other 'gifts' in the next few days.
rabindranath tagore
posted by
imani
, Wednesday, June 24, 2009 at 3:08 PM, in
Labels:
something else
I seem to have loved you in numberless forms, numberless times...
In life after life, in age after age, forever.
My spellbound heart has made and remade the necklace of songs,
That you take as a gift, wear round your neck in your many forms,
In life after life, in age after age, forever.
Whenever I hear old chronicles of love, it's age old pain,
It's ancient tale of being apart or together.
As I stare on and on into the past, in the end you emerge,
Clad in the light of a pole-star, piercing the darkness of time.
You become an image of what is remembered forever.
You and I have floated here on the stream that brings from the fount.
At the heart of time, love of one for another.
We have played along side millions of lovers,
Shared in the same shy sweetness of meeting,
the distressful tears of farewell,
Old love but in shapes that renew and renew forever.
Today it is heaped at your feet, it has found its end in you
The love of all man's days both past and forever:
Universal joy, universal sorrow, universal life.
The memories of all loves merging with this one love of ours -
And the songs of every poet past and forever.
Rabindranath Tagore
audrey hepburn
posted by
imani
, Tuesday, June 23, 2009 at 7:23 PM, in
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something else
Seeing her movies again made me remember spending my Sunday afternoons with my dad as a kid. My dad was a huge cinephile and we had a whole lot of fun watching old, classic movies – some of which were: Marjorie Morningstar, An affair to Remember, Casablanca, Dial M for Murder, From Here to Eternity - and of course – Ms. Hepburn’s films. I remember my aunt sending us VHS cassettes from the States so we could watch all these nice movies – back then we did not have cable TV – whether paid for or illegally connected ahahaha.
I saw Love in the Afternoon, where Audrey was paired with Gary Cooper – an enchanting little story about a reserved, quiet lady falling for a rich, debonair womanizer. Audrey is Ariane Chavasse, the daughter of a private eye whose past time is playing cello and rummaging through her dad’s files. She discovers that a man, Frank Flannagan (Gary Cooper’s character) is about to be shot by one of her father’s disgruntled clients – so she rescues him, pretending to be his paramour and eventually falling in love with him.
this was her photo on the poster i bought eons ago
Born Audrey Kathleen Ruston (May 4, 1929) in Belgium, she’s the only child of Briton Joseph Victor Anthony Ruston and Dutch baroness Ella van Heemstra. She was a proficient ballerina and also had a successful career as a thespian. In January 20, 1993, she succumbed to cancer, died and was interred in Vaud, Switzerland. She has often been called one of the most beautiful women of all time – and in my humble opinion – is the number one Hollywood fashion icon – unequaled, unparalleled, unrivaled.
furniture hunting
posted by
imani
, Saturday, June 20, 2009 at 7:42 PM, in
Labels:
freefall
I met with Mumai yesterday (which means I have accomplished another item from my wishlist) and my God it was a very productive afternoon. She saw stuff that was cheap and looking at all the furniture made me want to get myself a TV stand soon.
We also talked about things that I would like to remember:
- To oh-my-Gods
- To getting married so you can see all your friends wear a dress. (What’s the motif, Mumai?!)
- To getting wasted
- To swinging both ways and getting stuck
- To swinging both ways at the same time (Huh!?)
- To things that last the entire night
- To homing devices and bluetooths (blueteeth?! ehehe)
- To things not in order
- To slip of the tongues
- To most of its
- To progressions
- To sourness
- To the fact that if you have nothing more to talk about, you can always enjoy the coffee.
Thank you for an afternoon filled with laughter, wisdom and...to much sunlight! See you soon, love.
monster...as in cookie monster...
posted by
imani
, at 4:54 PM, in
Labels:
something else
COOKIE MONSTER SEARCHES DEEP WITHIN HIMSELF AND ASKS: IS MEREALLY MONSTER?
BY ANDY F. BRYAN
Me know. Me have problem.
Me love cookies. Me tend to get out of control when me see cookies. Meknow it not natural to react so strongly to cookies, but me haveweakness. Me know me do wrong. Me know it isn't normal. Me seedisapproving looks. Me see stares. Me hurt inside.
When me get back to apartment, after cookie binge, me can't standlooking in mirror-fur matted with chocolate-chip smears and infestedwith crumbs. Me try but me never able to wash all of them out. Me don'tthink me is monster. Me just furry blue person who love cookies toomuch. Me no ask for it. Me just born that way.
Me was thinking and me just don't get it. Why is me a monster? No oneelse called monster on Sesame Street. Well, no one who isn't reallymonster. Two-Headed Monster have two heads, so he real monster. HerryMonster strong and look angry, so he probably real monster, too. But is me really monster?
Me thinks me have serious problem. Me thinks me addicted. But since whenit acceptable to call addict monster? It affliction. It disease. It burden. But does it make me monster?
How can they be so callous? Me know there something wrong with me, butwho in Sesame Street doesn't suffer from mental disease or psychologicaldisorder? They don't call the vampire with math fetish monster, and mepretty sure he undead and drinks blood. No one calls Grover monster,despite frequent delusional episodes and obsessive-compulsivetendencies. And the obnoxious red Grover-oh, what his name?-Elmo! Yes,Elmo live all day in imaginary world and no one call him monster. No,they think he cute. And Big Bird! Don't get me started on Big Bird! Heunnaturally gigantic talking canary! How is that not monster?Snuffleupagus not supposed to exist-woolly mammoths extinct. His veryexistence monstrous. Me least like monster. Me maybe have unhealthyobsession, but me no monster.
No. Me wrong. Me too hard on self. Me no have unhealthy obsession. Melove cookies, but it no hurt anyone. Me just enthusiast. Everyone hassomething they like most, something they get excited about. Why not me?Me perfectly normal. Me like cookies. So what? Cookies delicious.Cookies do not make one monster. Everyone loves cookies.
Me no monster. Me OK guy. Me OK guy who eat cookies.Who me kidding? Me know me never actually eat cookies. Me only crumble cookies in mouth, but me no swallow. Me can't swallow. Me no have no esophagus. Me no have no trachea. Me only have black fabric throat. Menot supposed to be able to even talk.
Me no eat cookies.
Me destroy cookies.
Me crush cookies.
Me mutilate cookies.
Me make it so no one get cookies.
Everyone right. Me really is cookie monster.
found this on facebook...
posted by
imani
, Wednesday, June 17, 2009 at 2:17 AM, in
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something else
i don't find your watchful
posted by
imani
, Tuesday, June 16, 2009 at 4:15 PM, in
Labels:
imani's aphorism
daunting at all.
something fishy
posted by
imani
, Sunday, June 14, 2009 at 8:36 AM, in
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freefall
winter wonderland
posted by
imani
, at 8:13 AM, in
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freefall
nosh and i didn't go to antartica to see polar bears - we were in gateway a couple of weeks back. there was a sale at rustan's but i am still unsure, up to now, if the bears were actually on sale too.
across the universe
posted by
imani
, at 7:02 AM, in
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something else
saktisangama tantra
posted by
imani
, at 6:27 AM, in
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something else
whatever form she takes, whether the form of a man or a woman,
is the superior form.
woman is the form of all things, of all that lives and moves in the world.
there is no jewel rarer than woman,
no condition superior to that of a woman.
tee corrinne
posted by
imani
, Saturday, June 13, 2009 at 12:34 PM, in
Labels:
something else
at home in her body,
to be her own best friend,
her favorite lover.
anais nin
posted by
imani
, at 12:30 PM, in
Labels:
something else
wishlist
posted by
imani
, Thursday, June 11, 2009 at 3:43 PM, in
Labels:
freefall
There’s about a couple more weeks left before I turn a year older. Usually (or unusually) each and every year just before my birthday, I get all too sullen, almost always in a manic-depressive mood. I am like a pendulum swinging wildly on opposite poles. That kinda makes me sound like I have bipolar condition. But that’s not the case – or at least I need to get myself diagnosed first before I start dishing out a press release wahaha.
Here are a few things I want to ‘accomplish,’ ‘gain’ or ‘achieve’ when I turn ‘26.’
- Get a mandala tattooed on my right shoulder blade. Then I’ll get a sari to go with it.
- Hopefully finish writing 26 poems for myself before my birthday.
- See Monette as often as humanely possible.
- Convene with The Doyens at least once a month – or whenever our crazy schedules would permit it. Note to self: Reply to the Doyen Emails.
- Get a full body massage.
- Go to the gym. Or swim. At least once a week.
- More bonding moments with The Femme Fetales. More movie marathons and coffee sessions. A drinking spree will be greatly entertained.
- Pray more. Feed my faith.
- Love more and more and more.
- For the umpteenth time – collect the rest of Neil Gaiman’s ‘The Sandman’ series.
- Do not stop hunting for Jessica Zafra’s ‘Chicken Pox for the Soul.’ And dream she will one day publish another book. I miss reading her stuff.
- Buy ‘The Ophelia Dimalanta Reader, Volume 1’
- Save money.
- Save myself from the pandemonium – I need to proceed with caution.
- Continue buying my mom flowers.
- Watch all the other DVDs I haven’t watched – I recently bought ‘Dogma’ and ‘Across the Universe.’ Sweet.
- I would like to get another shelf – for my books and my movie collection. I have a penchant for keeping/stacking things. Maybe in my past life I was a librarian, or a mouse.
- I want a TV stand. Mumai – let’s go to Libertad to scour for cheap furniture wahaha.
- Mohawk! Mohawk! Mohawk!
- Get my hair colored again – possibly a lighter shade of brown.
- Sing ‘Rainy Days on Mondays’ on my birthday – because I don’t recall celebrating my birthday without an ounce of rain.
- Guest in The Ellen De Generes Show. In my dreams.
crazy things you do when it's raining
posted by
imani
, Thursday, June 4, 2009 at 5:58 PM, in
Labels:
freefall
said emily dickinson...
posted by
imani
, at 5:51 PM, in
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something else
velocity or pause.
i want
posted by
imani
, at 5:48 PM, in
Labels:
freefall
I want you to be the light that allows for my eyes to see in the darkness.
I want for your fragrant and delicate fingers to enkindle fire in my soul each time you touch it.
I want for your mouth to seek the warmth in mine, for your tongue to frolic through my skin as you taste it.
I want for your eyes to drape my body with mist as the rain would each time it trickles down our rooftop.
I want for your infinite laughter to envelop my flesh with longing and mystery.
I want for your smile to timidly hide beneath the corner of my palms as I reach for your face so that I can bring it closer.
I want for your body to linger to mine after we make love.
I want to be the air that you take in and let out.
I want to be the sunlight that fills your future with hope.
I want to be the rain that washes over your uncertainties.
I want to be the earth that your solemn feet would walk upon, each time you wander to search for yourself.
I want you to be the moon that rises and falls in my horizon.
I want you to be the bosom that cradles me to sleep.
I want you to be the flower that blossoms in my dreams eternally.
I want you to be the clouds that race through my skies.
I want you to be the wind that carries all my prayers.
I want you to be the life that fills my flesh.
I want you to be the one.
water
posted by
imani
, Tuesday, June 2, 2009 at 8:05 PM, in
Labels:
something else
I saw the movie ‘Water’ (released in 2006) which starred Lisa Ray as the tragic Kalyani, Seema Biswas as Shakuntala and Sarala Kariyawasam as the child widow Chuyia. The movie was directed and written by Deepa Mehta and is the third installment in her elemental trilogy. It was preceded by Fire (1996) and Earth (1998). As the title would suggest, it pertains to something that never stands still – which in this case, would be the shift in ideology and emotions of two of the main female characters in the movie.
The film talks about a rather taboo subject in India – the treatment of the widows. According to the Sacred Texts, a woman only is left with three choices when her husband dies: she must burn with his remains, remarry his younger brother (with the family’s approval, of course) and lastly – live the remainder of life in self-denial. Because of this, the women are taken to ashrams (an institution for widows – which in this case would be found in Varanasi, a holy place for Hindu pilgrims, sitting in the left bank of the Ganges River), where they are supposed to atone for their sins which caused their husband’s demise. Sending them to the ashram would also mean alleviating the widow’s family of emotional and financial burden. The movie was set in 1938, when India was under the colonial rule by the British. Despite this, the locals were still following unchallenged hypocrisies mistaken as traditions. This was also the era when a man named Mohandas Gandhi dared to defy some of the country’s long standing customs.
Chuiya was taken to the ashram at a tender age of eight. During that time, it’s a commonplace in several parts of India to have a young girl married to an older man. Chuiya was convinced that her stay in the ashram will be temporary, but she’s almost immediately, sternly initiated into the life and ways of a widow by Madhumati (played by Manorama), the ruler of the house, where Chuiya was forbidden to enjoy any form of pleasure in life – including eating sweets and mingling with people outside of the ashram.
This forsaken place is where Chuiya meets the enigmatic yet isolated, Kalyani, a role impeccably portrayed by Lisa Ray – she is the only widow who hasn’t cut her hair – all for one reason – she’s secretly being taken to houses lying on the other side of the river, as a prostitute. Chuiya was instrumental to Kalyani’s desire to resist the injustice of being a widow, as she meets Narayan (played by John Abraham), who first became a friend to the young Chuiya. After the first meeting, Narayan immediately fell for Kalyani, and since he’s been educated in the city, his points of view are a bit more modern and does not believe that widows shouldn’t have the chance to find their happiness by remarrying.
Madhumati soon learns about the tacit connection between Kalyani and Narayan and all hell breaks lose in the ashram. Madhumati rushes to Kalyani’s secluded hut, shears her waist-length hair and locks her up until she ‘comes to her senses.’ Prior to this, Kalyani has confronted Madhumati why she cannot remarry, the latter said it will disgrace all the widows in the house to seven lifetimes of being reborn as jackals, but also said that she’s being ferried across the river for survival – making Kalyani their source of income.
Shakuntala breaks her silence and frees Kalyani, over the protest of other widows. As a quiet act of rebellion, Kalyani slowly walked out of the house, leaving everyone else speechless. She meets with Narayan and he asks her to marry her. When the two headed toward the other bank of the river, Kalyani recognized the portico and asked Narayan of his father’s full name. ‘Seth Dwarkanath,’ uttered Narayan. The sound of the name alone left Kalyani distressed and ordered him to turn the boat around, unable to mention the reason for her change of mind.
Narayan’s father revealed that he has used Kalyani as a prostitute. The lovers are now, so suddenly, apart and forlorn – Narayan storms out of the house. The next day, he arrives at the ashram to take Kalyani to Calcutta with him, only to be told that she drowned herself in grief the night before.
The next day, Chiuya was insisting to go home, Madhumati told her that by a hijra (eunuch) will take her to her parent’s house, only to send the poor, little soul to another house, making her the next prostitute for Narayan’s father. Shakuntala soon learns of this, and tried to rescue Chuiya from the misfortune, but she got to the shore in time for Chuiya’s return. The child was traumatized by the incident, Shakuntala was left with no other option but to wait by the shore until dawn so she can take her to the train station.
At the station, Gandhi was preparing to board the train, but before this, he left his countrymen a message: ‘For a long time, I believed that God is Truth, but now I know that Truth is God. The pursuit of truth is invaluable for me, I hope it’s the same thing for you.’
In an act of despair, Shakuntala runs along the train, asking people to take Chuiya with them and give her a new life. Narayan sees her and quickly grabs Chuiya. In a sense, Chuiya’s character is one that embodies reform and rebirth – as she is given the prospect of a better life outside Varanasi.
I have only seen Lisa Ray in ‘I Can’t Think Straight’ before I stumbled upon ‘Water.’ And though she was a lot younger in her work as Kalyani, she was luminous and she personified her role - and took long, grueling hours studying the widows in Varanasi (the film was filmed in Sri Lanka but Ray went to India months before to observe their behavior). It is through the significance of her character and its moral obligations that she moved to the forefront and captured the attention of the audience. She’s tragic yet she’s the hope for change, as she breaks the norm of the widow house. She gave her all in the performance and what was translated in the screen was an imperfect yet unsullied character that added to the dimension and depth of the movie.
‘Water’ is so compelling and immensely intriguing, that despite its heartbreaking quality, is emphatically one of the most lyrical movies I have seen in years. It was nominated for an Academy Award for Best Foreign Language Film in 2007.
melancholia | poem nine
posted by
imani
, Monday, June 1, 2009 at 6:01 AM, in
Labels:
ars poetica
and goings;
beginnings
and endings;
laughter
and tears;
passion
and numbness;
creating
and regretting;
impossibilities
and eternities;
embracing
and parting;
all of you
and i.